Ravi Shankar was a virtuoso sitar player long before he became a cult for a drug-fuelled hippy generation that found the exquisite music he plucked from the strings a perfect accompaniment to the consumption of marijuana and LSD. Had technology been what it is now, plugged ears would have been listening to him all the way from London to Kathmandu. The Beatles, who flirted with Indian mysticism for a while (provoking some delicious satire from Private Eye, which called the Maharishi “Veririchi Lotsamoney Yogi Bear”), became seriously fascinated by the sitar and George Harrison took lessons in Indian classical music. The results were limited, Norwegian Wood probably ahead of the others. Not to be left behind, Brian Jones experimented with the instrument as well in Paint It Black. The fad didn’t last too long. The Beatles and Stones moved on to other things. As with Nusrat Fateh Ali Khan in later years, the “fusion” between west and east was only partially successful. But the positives should not be underestimated. The Beatles’ affair with Indian music helped project it to a global audience. There was rarely an empty seat at Shankar’s concerts in the United States and western Europe. Reading this… Read full this story
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