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You are here: Home / Review: ‘Miss Saigon’ at Pantages, despite its inevitable insensitivities, surprisingly resonates

Review: ‘Miss Saigon’ at Pantages, despite its inevitable insensitivities, surprisingly resonates

“I’m an American. How can I fail to do good?”That’s the rhetorical question sung by the ex-G.I. Chris in the musical “Miss Saigon,” which opened last week at the Hollywood Pantages — one that resonates differently now than it would have in 1978, when the scene is set, and in 1991, when the musical premiered on Broadway.This national tour of the 2017 “Miss Saigon” Broadway revival, produced by Cameron Mackintosh and directed by Laurence Connor, arrives with exceptional production values, including an enormous company and scenic design (by Totie Driver and Matt Kinley from Adrian Vaux’s concept) more immersive and dazzling than many rides at Universal Studios. The choreography (by Bob Avian) is so vivid it could put your eye out, even if you’re sitting in the back.The late William David Brohn’s orchestrations — inventive, bombastic, with a mind of their own — cry out for constant attention, so that the powerful singers have to fight to be heard, sometimes going red in the face. The lyrics are often casualties of this struggle — especially in the first act. Although you have a general sense of what’s going on, you might wish you could hit pause and sort out the… Read full this story

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Review: ‘Miss Saigon’ at Pantages, despite its inevitable insensitivities, surprisingly resonates have 324 words, post on www.latimes.com at July 25, 2019. This is cached page on Drudgereport. If you want remove this page, please contact us.

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